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CNET editors' rating:
4.0 stars
Excellent
Detailed editors' rating - Average user rating: 3.5 stars out of 70 reviews
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Product summary
CNET Editors' ChoiceApr 02
The good: Revved-up paint engine; now saves custom tool settings; much-improved GIF transparency handling.
The bad: Offers no major new tools; some processes are more complex than they need to be.
The bottom line: If you're an advanced photographer and don't have Photoshop yet or if you need natural paint tools, version 7.0 is a must-have; otherwise, version 6.0 will do the trick.
Specifications: License qty: 1 user; License type: Complete package; Min Operating system: Microsoft Windows NT 4.0 SP6a, Microsoft Windows Millennium Edition, Microsoft Windows XP, Microsoft Windows 98 Second Edition, Microsoft Windows 2000 SP2, Microsoft Windows 98; See full specs
Price range: $489.00
CNET editors' review
- Reviewed on: 04/15/2002
- Updated on: 03/03/2003
More of the same
Photoshop 7.0's standard Adobe look and feel, complete with drop-down palettes and menu options, remain relatively unchanged. But Adobe has introduced a few cool improvements, including the handy Tool Presets option, which lets you change and save custom parameters for any tool to a quick-access palette. (With Tool Presets you can, for instance, define a 4-by-6-inch, 300dpi crop box and save it as a preset.)
Along the same lines, you can now save custom tool-palette layouts as Workspaces so that you no longer have to recustomize palettes every time you open a project. A Windows Explorer-like file browser, similar to the Photoshop Elements file-management system, provides a welcome, if somewhat overdue, way to sort and locate your projects: the new browser lets you organize projects by name, date, resolution, and a number of additional parameters.
Brushes with greatness
You'll appreciate the aforementioned Workspaces, especially once you try Photoshop's slightly updated paint engine with its full-on brushes palette. Like Corel's realistic painting implements in Procreate Painter, Photoshop's improved tools now let you vary hue, opacity, and flow for brushes such as pastels, oils, and charcoal. The result is a more real-world painting experience than before. Better still, the Brushes palette now lets you set many more dynamic brush parameters, including jitter, color, and shape.
With all these improvements, Photoshop's brushes are still no match for Painter's. With Photoshop, your paint doesn't have any viscosity, so the results look fairly flat. And, despite the Brushes palette's newfound flexibility, it could use a few more improvements. For example, although Photoshop supports the Wacom Intuos2 tablet (with which we tested the software), the program could use a summary view of which tools and effects you've customized to respond to stylus pressure or tilt. Surprisingly, Photoshop also lacks a velocity control option that would allow brush size and similar parameters to work with your painting speed.
On autopilot
Even so, Adobe hasn't lost sight of Photoshop's primary purpose: image editing. To that end, version 7.0 adds two interesting tools to its image-editing arsenal. The Healing Brush makes quick and seemingly magical work of erasing wrinkles, minor skin defects, and other small flaws. For instance, though we couldn't quite restore the bloom to an old photo of a rose, we easily took a few days off its age. The Auto Color adjustment tool, for its part, essentially removes color casts from your photos, such as the green hue caused by fluorescent lights, and fixes the tonal range.
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Adobe Photoshop 7.0:
